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emerald green dress formal Long Sleeve Formal Strech Ruched Dress – The Dress OutletMake a statement at your next special occasion in this breathtaking floor length gown that effortlessly combines classic elegance with modern sophistication. Crafted from luxurious crepe fabric, this stunning dress features a flattering V neckline and dramatic bishop sleeves with voluminous bell cuffs that add a touch of romance and movement. The fitted bodice flows seamlessly into a sleek, figure hugging silhouette that elongates the frame and
Make a statement at your next special occasion in this breathtaking floor-length gown that effortlessly combines classic elegance with modern sophistication. Crafted from luxurious crepe fabric, this stunning dress features a flattering V-neckline and dramatic bishop sleeves with voluminous bell cuffs that add a touch of romance and movement. The fitted bodice flows seamlessly into a sleek, figure-hugging silhouette that elongates the frame and creates a red-carpet-ready look perfect for any formal event.
The sophisticated design showcases thoughtful details including subtle ruching at the waist that enhances your natural curves while providing a comfortable, forgiving fit. The floor-length skirt creates an elegant column silhouette that moves beautifully with every step. Whether you're attending a wedding, gala, formal dinner, or upscale evening celebration, this timeless gown delivers effortless glamour and sophisticated style that will turn heads and leave a lasting impression.
Key Features:
- Fabric: Premium crepe material with a smooth, matte finish that drapes beautifully and resists wrinkles
- Fit: Fitted bodice with strategic ruching flows into a sleek column skirt for a flattering, elongating effect
- Silhouette: Classic mermaid-inspired sheath silhouette with floor-length hem creates a sophisticated, timeless look
Product Highlights:
- Elegant V-neckline provides a universally flattering focal point that elongates the neck and décolletage
- Statement bishop sleeves with dramatic bell cuffs add romantic volume and sophisticated movement
- Three-quarter length sleeves offer coverage while maintaining an elegant, balanced proportion
- Flattering waist ruching creates dimension and enhances your natural curves
- Premium crepe fabric offers structure and comfort without sacrificing elegance
- Floor-length hem creates a formal, red-carpet-ready presentation
- Concealed back zipper ensures a seamless, polished finish
- Versatile design transitions beautifully from ceremony to reception to evening celebration
Available Colors:
Emerald Green, Black
Perfect for Special Occasions:
Weddings, Black Tie Events, Galas, Formal Dinners, Evening Receptions, Charity Balls, Award Ceremonies, Upscale Celebrations, Mother of the Bride, Mother of the Groom, Special Anniversaries, Formal Banquets
Details:
- Neckline & Sleeves: V-neckline with three-quarter bishop sleeves featuring dramatic bell cuffs
- Length: Floor-length
- Lining: Fully lined for comfort and coverage
- Structure: Fitted bodice with waist ruching; sleek column skirt
- Stretch: Moderate stretch for comfort and ease of movement
- Closure: Concealed back zipper
- Back: Zipper back with modest coverage
- Hem/Train: Floor-length hem with no train
- Slit: No slit
- Pockets: No pockets
- Embellishment: Clean, unembellished design with architectural sleeve detail
- Sizes: 10, 12, 14, 16, 18
- Model Notes: Model is wearing Emerald Green; styling may vary by color
- Occasions: Formal events, weddings, galas, evening celebrations, black tie affairs
Care Instructions:
- Dry clean only to preserve fabric quality and construction
- Store hanging in a breathable garment bag to maintain shape
- Steam gently if needed to remove any wrinkles before wearing
- Avoid contact with jewelry or accessories that may snag the fabric
- Keep away from direct sunlight when storing to prevent color fading
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4.5 ★★★★★
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★★★★★ 5
A difficult book that must be read
This is a Pulitzer Prize winning novel by William Styron (the author of Sophie’s Choice). It is based on a slave revolt in Virginia in 1831, lead by Nate Turner. Turner’s capture and confession is the basis of this book.
The novel is told in a 1st person narrative and is largely the work of Styron’s imagination. While it is brilliantly written Styron does include graphic scenes of highly erotic obsessions with various white women and one of the most vivid homosexual encounters in modern literature. Probably because of these scenes Styron was savaged by many of the leading black artists of the day but the book has endured the criticism and is, in many ways, an American Classic.
Slavery is an indelible stain on the fabric of American culture. It will never be washed away. Turner is an aesthetic, a religious fanatic, a brilliant, tormented misanthropic, homicidal nihilist. His band of followers slaughters 52 men, women, and children. In retribution the white slaughter 200 blacks. Turner is captured, interrogated, and executed. Instead of inspiring a region wide uprising, he is brought down by his fellow blacks fighting alongside the plantation owners.
It is a difficult book to read but it is a book that really should be read.
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Reviewed in the United States on January 18, 2013
★★★★★ 5
“The Confessions of Nat Turner” William Styron, 1966 Compelling ...
“The Confessions of Nat Turner” William Styron, 1966
Compelling is the word that comes to mind. This is a work of fiction based upon the actual event of Turners 1831 bloody insurrection. It is my option that a reasonably accurate portrayal of slave life and slave/slave owner relationships is presented. I will say that for my own part that, most of the time I was rooting for Nat. I don’t know that I have a clear understanding of Nat’s hatred except in the obvious; except for his education, why was his hatred so deep as to cause him to this violence? (In an afterword, Styron states that he believes Nat was insane but that in his novel he did not want an insane Nat) A thought that I had as I read the accounting was what if Turner had directed his energies toward educating other slaves? (Of course this would have been illegal but Nat’ owmer educated him.)
A compelling read and I’m giving it
5 full stars.
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Reviewed in the United States on July 3, 2015
★★★★★ 5
Extraordinary Chronicle of an Avenging Warrior
I purchased this book, although I had read this several years ago. My interest to revisit the novel was aroused when I read The Good Lord Bird and viewed the series. There are strong parallels in the struggles and the motivations explored in these works. Styron is a talented writer who makes this history come alive and gather relevance. The brutal consequences of an impossible circumstance lives on through this century as the legacy of slavery is explored in splendid literary works such as this powerful novel. I highly recommend it.
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Reviewed in the United States on April 7, 2021
★★★★★ 4
Make Sure You Read the Vintage Edition with the Afterword
I initially purchased this book to read for two reasons: First, it was written by William Styron, who wrote the great "Sophie's Choice;" and second, it won a Pulitzer Prize. It was only after I was into the book that I learned that this vintage sixties' book was the subject of a major controversy over the depiction of the title character, Nat Turner.
I learned that Styron openly acknowledged fictionalizing large portions of Turner's life, including his motivations for leading the slave revolt. I also learned that Styron's largely fictionalized portrait of Turner outraged many black leaders of the time. Rather than painting Turner (entirely) as a hero, called to action by the injustices of slavery, Styron created a darker picture of a man fixated on religion, a vision of himself as a prophet, and frustrated by lust and desire (particularly, for a young, blond haired white girl).
As I read the book, I search my own feelings, and felt that if I were black, I would certainly have objected similarly. We all need our heroes, who become much larger as symbols than they could ever be as people. For the sake of those that come after, such icons are perhaps entitled to be treated with a greater level of sensitivity and care--even at the cost of literary restraint.
It is here that the story gets fascinating. After I finished the novel, I read Styron's Afterword. Styron was truly stung by the criticism and in the Afterword, provided an elegant and persuasive defense of his writings. While I will not say that Styron entirely changed my position, he definitely made me see the other side of the argument. The dialogue between Styron and his critics not only allows the reader to consider one of the great social and political issues of our time, but permits the reader a unique insight into the thinking of a great writer--and suffices, in and of itself, as a reason for reading this novel. MAKE SURE YOUR VERSION OF THE NOVEL HAS THIS AFTERWORD.
Putting the issue aside as to the real "Nat Turner," the novel itself is beautifully written. The characters are fully developed and believable. The description of the system of slavery and the relationship between whites and blacks feel very real, and very accurate. Styron shows us good and bad of each race, and how all of them are bound by the system of slavery and their actions directly the product of it.
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Reviewed in the United States on September 26, 2008
★★★★★ 5
I loved this book.
I read this book for my book club and I thought it was beautifully written. It has stayed with me for weeks now. I love when a book does that. I'm glad I wasn't swayed by controversy. I had no problem with the fact that the author was white and using a black voice(maybe because I'm white - but I do like when an author gets the voice right and I thought Styron did that). I didn't understand the charges of racism after reading the book. Sometimes I wonder if, what some people find uncomfortable, they label as racist or sexist or whatever. Anyway, I would encourage everyone to read this book because it gave me a fresh awareness of a huge part of U.S. history, it reminded me that there are always gray areas to consider and it was a great novel. You might think so too.
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Reviewed in the United States on February 8, 2007
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