SKU: 98684425465
long vintage dresses

long vintage dresses 50s Party Dress with Popover Jacket Vintage 60s Long Gown Blue Green Brocade Carol Brent VFG

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Description

long vintage dresses 50s Party Dress with Popover Jacket Vintage 60s Long Gown Blue Green Brocade Carol Brent VFGA late 1950s to early 1960s evening dress with popover top in that striking combination of blue and green that was so trendy then. The brocade weave is a stylized hibiscus it is intricate but not fussy. The scoop neck bodice is fitted with darts and has spaghetti straps. The set in waist is accented with self fabric cording. The floor length skirt is deeply pleated at the waist, and has a bit of a sculptural effect due to the structured lining. The

A late 1950s to early 1960s evening dress with popover top in that striking combination of blue and green that  was so trendy then. The brocade weave is a stylized hibiscus - it is intricate but not fussy. The scoop neck bodice is fitted with darts and has spaghetti straps. The set-in waist is accented with self fabric cording. The floor length skirt is deeply pleated at the waist, and has a bit of a sculptural effect due to the structured lining. The cropped popover is simply styled, lightly fitted with darts, but intended to stand away from the body. I could see wearing it as a going-out top with a pair of fitted pants.

SIZE: No size label  

Measurements Inches
 Cm
Dress: Bust
 38"
 96.5
Dress: Waist
 28"
 71
Dress: Hips
 Free
 Free
Dress: Bodice length from shoulder 18"
 45.75
Dress: Skirt length
 41"
 104
Dress: Sweep
 79"
 201
Popover: Bust
 40"
 101.5
Popover: Length from shoulder seam 15.25"
 38.75

FABRIC/COLORS: Brocade in vibrant shades of turquoise and emerald green. The bodice and popover are lined in olive drab acetate type fabric and the skirt is fully lined with pellon for structure. Per fiber burn test, the brocade is a synthetic blend, perhaps with rayon.

TAGS: Carol Brent

CLOSURES: A long metal zipper down the back of the dress with hooks & eyes at waist and top of neckline. The popover has a set of snaps at top and bottom in back.

CONDITION: On close inspection, I found a 1.5" fray at the hem near the left side seam - see closeup. I have hand stitched a small area of open seam on the left shoulder of the popover top. The bodice lining has the color variation that is frequently seen with unstable vintage dyes. No other issues noted.

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SKU: 98684425465

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4.5 ★★★★★
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Verified Purchase
Joanne Hale
Phoenix, US
★★★★★ 2
The hype it did not live up to
Format: Paperback
I guess I expected more. I found it kind of boring and un inspiring. I enjoyed the food twist and even the characters, but it was very underwhelming. and I'm sorry about this review, because I really really wanted to love it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 30, 2025
J
Verified Purchase
John J. Shea
Whiting, US
★★★★★ 5
A thoroughly-researched, thoughtful, and nuanced work about the 1692 Salem withcraft panic.
Format: Paperback
This graphic novel recounts the 1692 Salem (Massachusetts) witchcraft panic that engulfed Salem, Salem Village (now Danvers), and adjacent communities. About two dozen men and women were convicted and hanged, one was pressed to death (tortured) to try to force him to acknowledge the Court’s authority. That man was Giles Corey, aged 80. The book focuses on him, but it covers others among the accused and executed as well as on the judges, politicians, and other involved. (No so much on the accusers and their motives.). The narrative plays out chronologically with interstitial vignettes in which 19th Century literary figures Nathaniel Hawthorne and Henry Wadsworth Longfellow wander around Salem during the 1800s discussing the trials and their legacy. (Hawthorne lived in Salem for a time and was a descendant or the Court of Oyer and Terminer Judge Hathorne.). The work concludes with a chapter, More Wonders of the Invisible World, that follows how Salem developed economically up to the present day in which witchcraft-related Halloween tourism turns Salem town into arguably the least attractive “tourist attraction” on Cape Ann. (Do not skip this chapter, it is engrossing.) An extensive series of endnotes provide scholarly references and background information. The artwork veers back and forth between caricatures (the 17th century events) and realism (19th century and onwards). In both cases the line art is exquisite. The text includes quotes from transcripts of the trials and other contemporary documents as well as fictional dialog. Wickey worked on this book for more than a decade, and it shows in his thorough scholarship. This is, in all seriousness, Pulitzer/Eisner-level work. Wickey was born in Beverly and resides on Cape Ann. Most of us born and raised on the “North Shore” learn about the Salem witchcraft panic in high school -often as a cautionary tale about politics, spectral evidence, and what we would today call “lawfare.” I thought I knew a fair amount about the 1692 panic, but I learned something new with nearly every other page. I was especially glad to see Wickey cover now-debunked ergot-poisoning theory and that he dismissed the vile slander that some among the convicted and executed were actually witches. There’s nothing really “missing” from the book, though one wishes one could learn more about the fates of the accusers other than Ann Putnam. That their motives appear to have been “sport” is bone-chilling fully three centuries later. Read her "apology" years later and try not to think, "psychopath." At 500 plus pages, it's too long to read at one setting, but it is a pleasure to read at shorter intervals.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 26, 2025
S
Verified Purchase
Salvatore P. Vasta
Boise, US
★★★★★ 5
Masterpiece
Format: Kindle
It has been said that any work of literature should be gauged upon how much the work makes the reader think. Ben Wickey has certainly achieved this - in spades - as one of the “civilised” world’s most frightening episodes is revisited with respect and thoughtfulness on the human condition.
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Reviewed in the United States on January 12, 2026
J
Verified Purchase
Jessica Richart
Lowell, US
★★★★★ 5
Books
Format: Paperback
I bought this book for my husband as a Christmas present and he enjoyed the book!
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Reviewed in the United States on February 17, 2026
M
Molly H
Fort Morgan, US
★★★★★ 4
The Tale of Salem
Format: Paperback
If you’re not familiar with the history of Salem and its witch trials, this graphic novel is a solid entry point. The author, while not a historian, clearly put in the work—spending time in Salem, connecting with residents, and striving to honor both the historical record and the modern-day sentiments of those who live with that legacy. His goal was to get the facts right while also capturing how the people of Salem view their own history, and I think he succeeded in that respect. The artwork fits the subject matter well. We often imagine people of that time as living hard, joyless lives, and the art conveys that sense of austerity. The mix of black-and-white and color panels is sometimes striking—there are moments where the color really enhances the impact of a scene—but other times I wasn’t sure what it added. Still, the black-and-white aesthetic ties neatly into the grim tone of the era. That said, the book is quite long, and if you’re already well-versed in the Salem Witch Trials, you may not learn much new in terms of facts. But if you enjoy studying the trials or want to explore the story through a different medium, this graphic novel is definitely worth picking up. For me, it landed at a 3.5 stars, which I’ll round up to 4 (since I usually do that when posting on review sites).
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Reviewed in the United States on November 6, 2025

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